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SM Entertainment Recruits Global Producers and Songwriters

Jessica H by Jessica H
February 17, 2024
in News
1
SM Entertainment Recruits Global Producers and Songwriters though Kreation Music Rights

SM Entertainment x KMR | Source: SM Entertainment

SM Entertainment is bolstering its music publishing dominance by recruiting global producers and songwriters. Through Kreation Music Rights, it aims to transform into Asia’s top music publisher.

Table of Contents

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  • SM Entertainment Aims for Global Talent Acquisition through Kreation Music Rights
    • Highlighting Key Collaborations
      • Expanding Across Continents
      • Fostering Domestic Talent
      • A Comprehensive Strategy for Growth
      • Related Posts

SM Entertainment Aims for Global Talent Acquisition through Kreation Music Rights

SM Entertainment is strategically enhancing its position within the music publishing sector by engaging global talent via its subsidiary, Kreation Music Rights (KMR). As of the end of January, KMR has successfully signed agreements with 86 creators in just five months, as reported by SM Entertainment.

Highlighting Key Collaborations

Significant among these collaborations are contributions from Dsign Music, a Norwegian songwriting and production powerhouse. They are known for chart-topping Kpop tracks like Girls’ Generation’s “Genie” (2009), NCT Dream’s “ISTJ” (2023), and Taemin from SHINee’s “Want” (2019). Additionally, the Sweden-based songwriter duo Sunshine, responsible for hits like Red Velvet’s “Psycho” (2019) and aespa’s “Spicy” (2023), are part of KMR’s impressive roster.

These talents are affiliated with KMR’s European branch, established in Stockholm, Sweden, in December last year, aiming to scout European talent.

Expanding Across Continents

Plans are underway for KMR to extend its reach to the United States by setting up a corporate entity and forming alliances with local companies to draw North American creators, according to SM Entertainment. The ambition is to position KMR as Asia’s premier music publishing company within the next five years.

Fostering Domestic Talent

KMR is equally focused on nurturing local talent. It hosts three production teams—Smash Hit, Monotree, and The Hub—as distinct business units within the company.

Monotree boasts 603 songs registered with the Korea Music Copyright Association. Meanwhile, its Chief Producer, Hwang Hyun, has credits on tracks like IVE’s “Kitsch” (2023) and Seventeen’s “I Wish” (2020).

The Hub features an international team of young producers and songwriters. Consequently, it is led by Chief Producer Yoo Byung-hyun, who is noted for his work on NMIXX’s “Soñar(Breaker)” and “Break The Wall.”

Smash Hit comprises 22 Korean songwriters under the leadership of Chief Producer Kangta, a member of the legendary boy band H.O.T.

A Comprehensive Strategy for Growth

“Our primary objective this year is to onboard top-tier songwriters from Korea, Europe, and the United States. The company plans to leverage KMR’s robust production capabilities to venture into artist management, supporting the realization of SM 3.0’s ‘multi-label’ strategy.”

SM Entertainment

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Source: Korea JoongAng Daily

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Tags: KMRKpop ProducersKpop SongwritersKreation Music RightsSM Entertainment
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Jessica H

Jessica H

Jessica is dynamic mom-blogger and journalist who is passionate about Kpop, Kdramas, and variety shows. She eagerly explores the vibrant world of Korean entertainment and immerses herself in all things about South Korea, exploring its vibrant culture with unwavering enthusiasm.

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